Online tools are great to keep you organized. Thank you AA! See new work posted here: https://www.artworkarchive.com/artwork/lisa-sisley-blinn.
Excerpt: #821 was selected for the invitational Fantastical: Art of the Imagination. The exhibit will run from August 25-September 19, 2014, with a reception on Wednesday, September 3, 6-8pm. The exhibit is located in the Donald D. Shook Fine Arts Building, on the beautiful grounds of St. Charles Community College, 4601 Mid Rivers Mall Drive, Cottleville, MO 63376.
This painting is part of a larger series that explores the idea of excerpts or sections of a larger whole, slices of experience that carry meaning: planes of color-space, textural grunge layers, and energetic calligraphic marks convey feelings and clues to an ambiguous location.
8 a.m.-8 p.m.
8 a.m.-4 p.m.
10 a.m.-3 p.m.
What started out as a journal exercise of a few hours turned into a 3 week project exploring color and texture, and thinking about reflections from surfaces and thoughts. View the series for “100 Thoughts” on Flickr.
The reflections off water, glass, marble, and other transparent, translucent or glossy surfaces have always intrigued me. The image that is reflected is often distorted, ambiguous, hazy, blurry, and edited by the shape of the surface. Sometimes, much like our thoughts. Situations and encounters can occasionally leave our thoughts bouncing around like light off a surface: uncertain, out of focus, out of context, or clear but truncated.
“100 Thoughts” is a set of small images that correspond to thoughts that were generated by the act of mark making with encaustic paint on paper. Although some of the images began with an idea, most were “named” after the image was completed. When the actions of the mark making were done, the thought regarding the image crystallized. Titles were kept short to correspond with the small image size, and a specific idea.
All pieces in the set are encaustic with oil bar on Fabriano Artistico paper. The paper is 5 1/2 ” x 6″ (14 cm x 15 cm), images are about 4″ x 4″ (10 cm x 10 cm). Edges were taped, creating a restricted painting/reflection area. Not unlike a print edition, the edges and backs of the paper were kept as clean as possible. Images that were inconsistent with the established theme were removed from the set. Out of an original 116, only 100 were selected for the completed set. The others were added to the original journal entry.
Blueberry Kiss II
Creamsicle Sky I
Inner Glow II
Jumble Ice I
Last Remark I
Night Mood II
Odd Moment II
Rhubarb Vortex I
Stormy Light II
[ No music in the studio today. Only the snoring of 2 cats and a dog, and the soft sounds of heat on metal – the encaustic paints being warmed on the metal palette.]
“Great Burnet” added today to the “Rondo Weave” series. 18″ x 18,” encaustic with oil bar and metal leaf on canvas wrapped braced board.
Detail from upper left corner.
“Encaustic paint has luminous translucency, a succulent surface, and warms to the touch, like human skin. It offers a wide range of applications, such as using the pure encaustic with no color, adding pigments for rich color, creating texture, casting in molds, collaging with photographs, and making sculptures by combining it with wood, steel, and other materials. I believe this is why we love the wax; it gives us endless possibilities for expression.
Selecting well conceived, beautifully executed, and visually satisfying art works was my vision for this show. I was looking for artists who give us a glimpse into their emotions and lives. Though the focus of this show is the material, what is vital to art is the expression of the artists, and it is their visual language that shines through.
Eileen P. Goldenberg, juror”
18″ x 18″ Encaustic with Oil Bar and Metal Leaf .
Canvas on Braced Board. 2009
Detail from bottom left corner.
May 6: Exhibition Opening Reception, 5:00—7:00 p.m.
June 18: Culture + Cocktails Reception, 6:00—8:00 p.m.
June 21: Exhibition closes
1601 Civic Dr.
Walnut Creek, CA 94596
If you are close, take a look at the exhibit and snap a picture for me!